Movies: Lawrence Jordan

This wacky prequel to the 1994 blockbuster goes back to the lame-brained Harry and Lloyd's days as classmates at a Rhode Island high school, where the unprincipled principal puts the pair in remedial courses as part of a scheme to fleece the school....

Four young men and a young woman sit in boredom. She smokes while one strums a lute, one looks at a magazine, and two fiddle with string. The door opens and in comes a young man, cigarette between his lips, a swagger on his face. The young woman laug...

The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movi...

Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery....

Animation. The theme is Weightlessness. Objects and characters are cut loose from habitual meanings, also from tensions and gravitational limitations. A lyric Eric Satie track accompanies the film. Such a portrait seems necessary from time to time to...

In describing the basis for TRIPTYCH IN FOUR PARTS, artist Lawrence Jordan writes, "Part one is the Portrait of a North Beach artist, John Reed. Part two and three take place in the desert of the Southwestern United States and Mexico, where I went in...

Jordan’s imagery is exquisite and eloquent, concentrating on simple, repeated use of particularly poetic symbols and figures, a conglomerative effect of old Gustave Dore drawings, 19th century whatnot memorabilia, all fused to a totally aware percept...

Orson Welles reads the poem especially for this film by Larry Jordan, which is dedicated to the late Wallace Berman, and is made possible by a grant from The National Endowment Of The Arts....

"After GYMNOPEDIES, I had long wanted to animate a film specifically for a pre-selected piano piece by [Erik] Satie. MOONLIGHT SONATA is that film. It was totally designed for the 'Gnossienne V' and the movements of the animation are timed to the ove...

An anatomy of violence. Four young men and two young women are on a drive. There's a rivalry between two guys for one of the girls. On a remote road, the car stalls. The driver hitchhikes for help. Led by the intrepid girl, the others walk toward aba...

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival W...

The Visible Compendium constructs bits of unnamed meanings, fragments of light. Photography is, to me, not about things, but about light. Light is our primary reality when we are at the movies. Light which suggests things, the secondary reality, a co...

A new and original collage film by Lawrence Jordan....

In this exciting concert appearance, Sheryl Crow powerfully demonstrates why she is one of today's truly distinctive voices. Uncompromising, open, witty, sardonic and surprising, Sheryl hooks the listener immediately with music that's both reflective...

The scene is set in front of a French chateau. The camera chases improbable incidents across the screen. Many are constructed out of one of Jordan's favorite engravings illustrators: Poyet. Duels occur on a tight rope. Heavier-than- air machines fly ...

Featuring a card game played on the body of a naked woman, Lawrence Jordan portrays male sexual frustration while slyly satirizing Hollywood reaction shots....

"The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death – the Elysian fields of Homer, Dante’s Purgatorio, de Chirico’s stitched plain. A moving single picture. Evolving the st...

A celebration of the filmmaker’s daughter’s birth. The blazing garden as a metaphor for the cycle of life....

A woman reads Philip Lamantia's poem (from which the film gets its title), which evokes masculine angst as the hand acts out the scenario of the poem....

On ancient star maps of magnificent color quality, experimental animator Lawrence Jordan takes the viewer out of this world into a world of cosmic imagination.—Canyon Cinema...