Movies:

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find...

The film traces the rise of one of the world's premier architects, Norman Foster, and his unending quest to improve the quality of life through design....

Home movies shot on Super 8mm by W+B Hein over 10 years....

Constantin Brancusi (1876-1957), the most important sculptor of the first half of the 20th century, has been a fascinating and enduring influence on a generation of contemporary American artists. Insights into Brancusi’s legacy are presented by Carl...

The Making of Amarillo Ramp documents the construction of Robert Smithson's earthwork Amarillo Ramp. At age thirty-five, while photographing the site of the earthwork in progress, Smithson died in a small airplane accident, along with pilot Gale R...

The Masters of Modern Sculpture series concludes with a look at post- World War II America, where sculpture became a deeply innovative art form. Using the objects at their disposal and the inspiration surrounding them, artists such as George Rickey, ...

The life and work of enigmatic Dutch/Californian conceptual artist Bas Jan Ader, who in 1975 disappeared under mysterious circumstances at sea in the smallest boat ever to cross the Atlantic. As seen through the eyes of fellow emigrant filmmaker René...

A two-part tape of a video performance done on January 22, 1974, at 112 Greene Street (as part of the Video Performance Exhibition), structured on a problem in game theory, a non-zero-sum game, in which both players can win or lose at the same time, ...

"Film Portrait of Richard Serra was shot during the making of The Camera: Je but I felt that the footage showed such complicity between Richard and me that I decided it was a film on its own. I shot the film title in 1977 but only finished the film i...

Originally broadcast on public television in Amarillo, TX, Richard Serra’s BOOMERANG features Nancy Holt framed in a medium shot with a pair of headphones on her ears. We observe her as she speaks and then hears her words relayed back to her through ...

Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts itself subtly on the populace through “entertainments,” for the benefit of those in power—the corporati...

In Frame (1969), Richard Serra emphasizes the disconnect bewteen the real space of the cinema and the illusory space of the screen. We first see Serra's hands methodically measuring and marking the boundaries of the film frame, followed by the projec...

Sculptor and giant of modern art Richard Serra discusses his extraordinary life and work. A creator of enormous, immediately identifiable steel sculptures that both terrify and mesmerise, Serra believes that each viewer creates the sculpture for the...

“…Railroad Turnbridge is about the meeting of machine and machine [camera and bridge] and how they and their movements, sometimes parallel, sometimes in opposition, frame the landscape which surrounds them. A shot of the landscape seen through the re...

Echoing the vertical movement of the film through the projector, pieces of sheet lead fall into the image field. Serra’s hand opens and closes as it tries to catch them, and when it succeeds, immediately lets them go again....

In "Hands Scraping" we see two male pairs of hands, those of Serra and Phil Glass, sweeping up steel filings strewn on the wooden floor with their bare hands, and carrying the gathered heap in their hands out of the picture....

Soundtrack by Philip Glass...

Serra’s film about the production of his sculpture Berlin Block (for Charlie Chaplin) (1977) at the Henrichshütte Hattingen steelworks in the Ruhr Valley, begun roughly one year before the first major wave of strikes in the German steel industry sinc...

A subject struggles to break free from a cord restraint...

Like the three "Hands" films by Richard Serra (1968), the subject of "Color Aid" are fingers as actors of real time activity. Monochrome colour cards lying on top of each other and filling the whole screen are being pulled away individually with a sw...